White Opaque Glass Sculpture ‘Ethereality #6’ By Tracy Nicholls
Tracy Nicholls’s opaque white glass sculpture Etherality #6 is an arresting piece. Her vision of disintegration was cleverly captured. Within this piece, Tracy has meticulously hand-cut a half-moon-like design into the two glass panels.
Fired multiple times, the resulting fusion, slumping and consequential undulations create the desired movement and depth. Complemented by the shadows cast as the light dances through the fissure of the web.
Etherality #6 is a unique white opaque glass sculpture which conveys the slow internal weakening of a solid form, wonderfully. Beautifully held on a solid walnut base.
Etherality #6 is part of the Etherality series.
Colours – ( made to order in any colour on request)
N.B. The images shown are an example of the ones in the series. Each art glass is handmade and therefore there will be small variations in colour, shape and pattern. Each one is unique and signed by the artists.
White Opaque Glass Sculpture Artist
British Glass artist Tracy Nicholls discovered glass during evening classes she attended in 2003. Perusing her interest in glass, Tracy went on to complete an MA in Contemporary Craft- Glass, at UCA Farnham. Graduating with Distinction in 2009.
Tracy has set up her studio in Kingston, Surrey. Tracy works predominantly with opaque glass to create her signature pieces. Intrigued by the nature of erosion, Tracy studies the disintegration of solid forms over time. Observing the transition of the ever more delicate and fragile form. Subsequently transforming into an absorbing, lace-like structure. Simplicity is the key to her work and favours the monochrome colour palette, using light, shape and form to capture the eye.
In 2008 Tracy won, ‘Best in Show’ at the British Glass Biennale. In 2014 her work was included in Europe’s prestigious Coburg Glass Prize in Germany. Tracy’s Sculptures are present in many exhibitions throughout Europe and the UK. Her work can be found in both private and public collections, including the National Museum of Scotland and the Marinha Grande Museum of Glass in Portugal.
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